Rita’s week
Follow Rita as she connects families, schedules lessons, teaches online and in person, shares notes, sets practice and manages invoices.
Follow Rita’s weekFind your way around SYNKii. Follow the teacher flow, explore a teacher’s day, or jump straight to the task you need.
Click or tap a stage below, then open one of its step-by-step guides.
One fictional teacher. A complete journey from setting up her studio to supporting home practice and getting paid.
Follow Rita as she connects families, schedules lessons, teaches online and in person, shares notes, sets practice and manages invoices.
Follow Rita’s week ↗17 pieces · practical reading, walkthroughs and ready-to-use materials
Explore how student setup, the classroom, lesson notes and practice connect, with invoicing alongside your teaching. Select a stage for practical steps.
Connect the right learner and, for a child, the person responsible for managing their account.
Create a lesson with the right learner, time and format so it appears in your teaching schedule and gives you a classroom to enter when you teach.
Set your lesson rate, choose when to invoice, and tell families how to pay.
Use the scheduled classroom as your teaching workspace, whether the student is beside you in the studio or joining online.
Use SYNKii Lab to explore a musical idea and Theory & Aural to build focused exercises.
Keep lesson materials easy to find and share the intended files with the intended students.
AI lesson notes begin with captured lesson speech and end with a draft for you to review.
Write a lesson note yourself whenever that is the clearest way to give your student useful guidance.
Review both AI drafts and manually written notes before making them available to the learner.
Set work while the student can try it with you, so home practice begins with a familiar task.
The Practice Room is the student's place to work between lessons.
Use practice sessions to see what the student attempted during the week and plan your next lesson.
Before preparing an invoice, check the family, applicable price and lesson records.
Review the invoice draft SYNKii prepares from your scheduled lessons and billing settings, then issue it to the family.
Record a payment after you have confirmed that the money arrived through your preferred payment method.
Follow Rita’s complete SYNKii week: connect families, schedule and teach lessons, share notes, support practice, issue invoices and record payments.
A printable rhythm activity with 20 exercises, space for counts and a companion video for lesson and home practice.
An extra pause appears before bar 2.
The pulse continues across the bar line.
Use these original synthetic examples to demonstrate one musical change. They are deliberately constructed comparisons, not recordings of a real student's progress.
“Adults beginning piano…”
“…recognisable music, listening and reading…”
“…a conversation about your interests and week.”
These are fictional writing examples, not real teacher profiles or testimonials. Use their structure while describing only your own experience.
Return to the earlier musical question.
Name what helped the learner.
Shape this phrase or transfer the skill to a new melody.
A progress review should lead somewhere. Begin with the learner's musical experience, then choose the next goal together.
The phrase paused before bar 2.
The second example keeps the beat moving.
Keep continuity while shaping the ending.
From Students, open the learner’s Goals, Practice and Assignments.
What would you love to play or understand?
What feels familiar? What is confusing?
Which instrument, times and lesson format work?
How will questions and home practice be supported?
Use this question deck for a first conversation with a prospective learner. Choose the questions that fit; it should feel like a conversation, not an interview.
Hear the problem and demonstrate one method.
Find the passage, task and listening cue together.
Return to the same question and choose the next step.
The value of a lesson includes the clarity a learner takes away. Describe that value through the learning experience rather than a long feature list.
Can the phrase continue through the turn?
Compare two short attempts.
A starting point and a listening cue.
Return to the question and choose what follows.
When a demo student is available, use Dashboard → Explore demo student.
Play two bars with one question in mind.
“I paused before the first note of bar 2.”
Practise the join, then restore the phrase.
Use this reflection activity after one short attempt. It works aloud, so the learner does not need to write a report.
The pulse now continues through the turn.
Preparing the next note helped.
What did the learner notice?
Shape the ending while keeping that pulse.
A family understands progress more easily when you show a musical change and explain why it matters.
Check which child and teacher you are viewing.
Find the next agreed lesson.
Use the approved note to support practice.
Review billing only where your account allows it.
In the guardian account, use Children to check the learner, Schedule for lesson dates and Invoices for billing.
One column per half beat. A filled circle marks the start of a sound.
Keep tapping evenly: 1, 2, 3, 4.
Clap on 1 and 3 while the beat keeps moving.
Use this glossary alongside a real musical example. Ask your teacher when a word has a more specific meaning in your piece.
Find the opening notes, tap the rhythm, play once.
Repeat thoughtfully, compare attempts and reconnect the phrase.
An adult beginner's practice plan needs to fit the week they have, not an ideal week with unlimited time.
Understand why you are doing the work.
Bars 1–2: keep the pulse through the turn.
Open the score with the matching title.
Choose a small session and start with that task.
In the student account, choose the relevant teacher where needed.
“What are you trying to make clearer?”
“Which part sounded the way you wanted?”
“Try a smaller part, pause, or ask your teacher?”
Choose one question before listening to your child's practice. You do not need to know the correct technical answer.
Read the teacher-approved instruction together.
Ask which part sounded closer to the intention.
Help them begin, pause or ask a specific question.
You can support a child's practice without taking over the teacher's role. Help them start, listen with interest and notice what they are trying.
Expected teacher and learner?
Use the appropriate sign-in or account route.
For a child, the appropriate adult completes the steps.
Check the teacher, next lesson and shared music.
Open the invitation from the expected teacher and follow the acceptance steps for an existing or new account.
Import these original MusicXML studies into Score Studio, available now in Pro and Studio, and adapt them for your students.
A file name should help you recognise the material without opening three candidates.
Create, play back and export a short score in Score Studio, available now in Pro and Studio.
This original pack demonstrates a small, coherent teaching library. Use the files together for a lesson on a steady pulse.
Powered, sending MIDI, stable data connection?
Supported, with permission allowed?
Does one played note appear?
Only investigate this after local input works.
When MIDI disappears, find the first point where the signal stops. Avoid changing several settings at once.
Open Library → Add material for a PDF, MusicXML, audio or image file.
Use this signal map to find where a MIDI connection stops.
Use the score pointer for shared focus.
Use the MIDI keyboard display.
Choose a useful camera view.
Capture a concise Lesson Feed observation.
Choose a classroom tool by the musical question it helps answer.
Your MIDIOther player’s MIDISofter → stronger key attack
Your own note messages appear as local input.
The other participant’s note messages appear as remote input.
Open the scheduled Classroom and check which MIDI input is selected.
Original examples · every note is a crotchet · 4/4
Join familiar notes through a change of direction.
Prepare the next note before each leap.
Let the second bar respond to the first.
These original excerpts offer three routes into a short learning plan. They are concert-pitch melodies in 4/4, with all notes as crotchets.
“The phrase stopped at the turn.”
Listen to the same passage and ask what feels different.
Keep the helpful method and choose a new step.
Progress can be visible without making every attempt a test. Compare a musical question over time.
Hear the same passage as last time.
What changed? Which method helped?
Continue, refine or choose the next goal.
Update the reviewed outcome appropriately.
Open the learner through Students.
Count across the bar line → the beat continues.
Play four notes → no unintended note dominates.
Prepare and count in → begin once.
Choose a destination → shape towards it.
Choose a goal card, agree what it sounds like and pair it with a short task.
Prepare a deliberate start and communicate the character.
Work on the small section that breaks the phrase.
Explain the learning achieved and the next skill to develop.
A piece does not need to be permanently perfect before it has served a learning purpose. Decide what “ready” means for this occasion.
Bars 1–2 keep the agreed pulse.
Bar 3 hesitates at the entry.
Bar 4 still needs note preparation.
Open Students → select the learner → Goals and the relevant goal.
Use the original four-bar study to practise making a specific progress judgement.
A steady pulse through the phrase.
Tap and count the join, then play twice.
Listen again: did the beat continue?
“Play it better” describes a wish. A useful goal describes a change the learner can recognise.
“I want to play a flowing melody.”
Join one short phrase with a steady pulse.
Listen to the outcome before changing its status.
Go to Students → select the learner → Goals.
Listen to four original concert-pitch examples. Each contains two notes, played separately at the same intended loudness. Replay as needed before opening the answers.
Use beat shapes and metre settings to make your own rhythm explanations visible.
Students → select the learner → Practice → select a session.
Compare accuracy across the week’s attempts.
Make the task easier or harder and try it together.
From your teacher account, open Students → select the learner → Practice, then inspect a session.
Use beat shapes and metre settings to make your own rhythm explanations visible.
In Theory & Aural → Create exercise, select Interval Identification (aural).
Prepare in Theory & Aural → Create exercise → Interval Identification.
Choose one feature to remember.
Try the complete short passage.
Name what matched and where you hesitated.
Choose one change before trying again.
Use this prompt sequence with any short demonstration or passage. The learner can answer aloud.
Show the first thirty seconds together.
Find the score and check access.
Agree a smaller, realistic starting action.
Begin with curiosity when a student has barely practised. The next useful step depends on what prevented them from starting.
What task did the learner attempt?
Which idea needs a conversation?
Ask for one explanation or a short performance.
Open Students → select the learner → Practice.
Choose one familiar task for around five minutes.
Check the task together on the student’s phone.
Assign during the lesson and agree a convenient practice time.
Prepare a short digital exercise students can complete on their phone between lessons.
“Well done for practising.”
“You kept the beat through the join that stopped last week.”
A meaningful win is a change the learner can recognise, not simply a higher number.
A manageable set of tasks for today.
Start and attempt the chosen work.
Check that the report reflects the sitting.
The session is recorded; follow any separate submission instruction.
In the student account, open Practice Room, choose today’s work and start a session.
Last beat of one bar + first beat of the next.
Keep counting while the notes change.
Restore the surrounding phrase and listen again.
Choose one challenge for a familiar passage. Each card includes a task and a way to reflect; stop if the instruction is unclear.
Choose a small join and its intended sound.
Slow down enough to prepare and listen.
Name what changed before repeating.
Try the whole phrase again.
Effective practice starts with a clear question. Try these five changes with one passage rather than changing the learner's whole routine.
A theory or aural task linked to the piece.
Range, question type, challenge and completion rule.
The same named task in their account.
Try a question and explain the reasoning.
Open Theory & Aural → Create exercise, choose the exercise and configure it in the builder.
Use visual and listening demonstrations that support your own explanations of rhythm, singing and counterpoint.
Keep the pulse through bars 1–2: count, then play slowly.
Return to tone and expression after the join is easier.
A page of corrections can make it difficult to decide what to do first. Give the learner one clear priority and keep the rest as context for future teaching.
Keep the pulse through bars 1–2.
Tap and count once; play twice slowly.
An uninterrupted beat when the melody turns.
Correct learner, clear task, available score.
Open Students → select the learner → Assignments to manage the work you set.
Count through the join → did the beat continue?
Play four notes → which sound stood out?
Try a lighter last note → did it sound settled?
Choose one change → what improved?
Choose one card for a lesson or practice task. Replace the passage reference with the learner's actual music.
“The melody paused at the turn.”
The next note needs preparation without losing the beat.
Count bars 1–2, then play slowly through the join.
Find the relevant lesson in Lesson Notes and review the captured observation.
Name the piece, bar numbers and beat.
Say the agreed action and listening goal.
Check the AI draft before sharing it.
Name the passage, action and practice goal aloud so the lesson transcript can support useful follow-up notes.
“Improve rhythm.”
“Bars 1–2: count aloud, then play without stopping at the join.”
Feedback is useful when the learner can act on it without reconstructing your lesson. Replace a judgement with a place, action and listening cue.
Compare the AI summary with the lesson.
Replace vague advice with the agreed task.
Read it from the learner’s perspective.
Share the version you approve.
Open Lesson Notes, select the learner and lesson, and check the draft against the teaching session.
Illustrative framing only. Keep the camera stable and the player comfortable.
Keys, hand and wrist stay visible through the move.
Frame the bow path or fingering hand for this task.
A stable front view supports face and upper-body communication.
Use this reference sheet to choose a view for one teaching question. It is a starting point to test together, not a prescribed posture.
Hear an uninterrupted attempt.
Change only the feature you are teaching.
Let the learner reproduce the difference.
Check that the improvement survives the join.
When a passage keeps failing, shrink the task until the learner can hear what changes. One bar is often enough.
The pulse stops before the turn.
Note the event while the detail is fresh.
“Count the join, then try both bars.”
Open the scheduled Classroom before teaching, whether online or in person.
This original four-bar melody uses C4–G4 in 4/4. All notes are crotchets. It is designed for a short lesson on tone, direction and joining bars.
Illustrative framing only. Keep the camera stable and the player comfortable.
Try overhead or high diagonal; check fingers stay visible.
Try a raised side view; include hand and wrist.
Choose the camera view for the detail you need to observe. A full-room view and a technique view answer different questions.
Open the PDF and locate bar 2 together.
Draw attention to the join being practised.
Ask the learner where they will start.
Listen for continuity through that place.
Open the PDF in the correct learner’s Classroom.
One column per half beat. A filled circle marks the start of a sound.
Count in, perform the pattern, then stop.
Say “your turn” and leave space.
Count in and echo with their own steady pulse.
Use these rhythm cards in a turn-taking lesson. Each pattern lasts four crotchet beats. A dash means continue holding; “and” divides a beat into two equal quavers.
Name one detail, play, then stop.
Leave space for the learner to finish.
Compare one feature and choose the next attempt.
Remote music teaching is easier to follow when each person knows whose turn it is. Use a demonstrate–respond–reflect rhythm.
Your MIDIOther player’s MIDISofter → stronger key attack
Instrument → data cable → supported browser.
Your notes use lime on your screen.
Their notes use orange on your screen.
Enter the scheduled Classroom from the teacher dashboard or lesson details.
These are worked examples of studio routines. Adapt the timing to your teaching load; they are not targets or claims about productivity.
Instrument, preferred name and ongoing interests.
“Bar 3 rushed after the leap today.”
“Count the join, then play it slowly twice.”
A conversation about changing next week’s time.
Put information where it will still make sense when you return to it. A student's ongoing context and an observation from one lesson serve different purposes.
Use Dashboard → Studio admin to reach invoice work, or open Invoices directly.
A recognisable melody or a reading goal.
Echo C–D–E–D and choose one improvement.
Agree a realistic practice starting point.
Learner names the task; adult names their support.
Use this ten-minute conversation activity to agree how learning will work. It contains prompts and examples, not a form to fill in.
Rescheduling becomes confusing when several possible times look like confirmed lessons. Make the difference explicit.
Create the lesson from Dashboard → Schedule lesson or Schedule → New.
Share this explanation with a family when you introduce the studio workspace. It explains the records without imposing a cancellation or payment policy.
Set a ten-minute boundary for routine admin so unfinished details do not follow you into every lesson. This is a suggested routine, not a promise that every studio takes ten minutes.
Use Dashboard → Add student or open Students.
Check the next lesson’s date and time.
Find one shared score or audio file.
Find the instruction that gives the file a purpose.
Use this map when a student or parent asks where something lives. Availability depends on the teacher's plan, account role and permissions.
One outcome to listen for.
One concrete observation from the attempt.
One next step the learner can explain back.
Three small routines make a connected workspace useful: prepare one outcome, capture one observation and leave one next step.
Who am I teaching, and what are we working on?
When is the agreed lesson?
The conversation and the shared material.
What was billed, and what is its recorded status?
Use Students for a learner’s record, Schedule for lesson times, Action Centre for items needing a decision and Messages for conversations.
What do you enjoy? What do you already do?
Copy a short pattern; compare two versions.
Choose a small success and a realistic time to try.
Use these six conversation cards before choosing a first piece. Allow the learner to pass on a question. No musical vocabulary is required.
“Your notes and practice work will stay together.”
“Open the teacher invitation.”
Find the current piece and next lesson time.
Families need a reason to change and a small first action. They do not need a tour of every feature in the first message.
Can the pulse continue through bar 2?
Turn the observation into approved guidance.
Find the task and attempt a small session.
Read the context, then hear a fresh attempt.
Go to Students, select the learner and use Overview for context.
Find the time, music and one question.
Show what you tried and agree a next step.
Read the approved guidance and try one short task.
“I tried… I noticed… I need help with…”
Read this welcome pack together at a first lesson. It is written for the student and the adult supporting them.
Use the correct learner or guardian route.
One familiar score and one clear task.
Can they find it and begin without another message?
Fix the hesitation before expanding.
Use one student to find the small points of friction before they become twenty support conversations.
Check who you will teach and when.
Find the current goal and last useful observation.
Open the score and choose one question to investigate.
Find today’s lessons, enter the classroom and review learning, Action Centre and invoice work from your teacher dashboard.
No resources match those filters. Try another word or choose all topics.
A little choice. A clearer experience.
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